中国戏曲既是带“唱”的话剧 ,又是带“说”的歌剧 ,唱、念(说 )、做、打 ,熔为一炉 ,有着十分丰富的艺术表现手段 ,“说”即李渔所说的“宾白”。他对“宾白”高度重视 ,认为“宾白一道 ,当与曲文等视”;而且认为 ,不但“唱”要讲韵律美 ,“说”同样也要讲韵律美。李渔还对包括宾白在内的戏曲语言提出了“文贵洁净”的要求。此外 ,李渔在谈戏曲语言问题时 ,还顺便谈到了艺术想象 ,并有精彩见解 Chinese opera is not only a drama with “singing”, but also opera, singing, reading (speaking), doing, playing and melting with “say”, and has a very rich artistic expression means. “Saying” means what Li Yu said “White guest”. He attaches great importance to “bin white”, that “guest white one, when viewed with the Qu Wen”; and that not only “sing” to talk about the beauty of rhythm, “say” the same should also be about the beauty of rhythm. Li Yu also proposed the “Wen Gui Jie Jing” requirement for the drama language including Bin Bai. In addition, Li Yu talked about the language of opera, but also talked about the art of imagination, and wonderful insights