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本文以中央新闻纪录电影制片厂(集团)在2003—2013年期间制作出品的15部文献纪录电影(1)为研究样本,考察其汇编来源、表现方式和倾向。通过分析,本文认为,文献纪录电影仍然是官方意识形态再生产的形式,但在“经营历史”的市场化理念下,其汇编来源包容更多个体化、主观经验层面的资料,表现方式倾向于故事化、纪录剧,通过对集体记忆符号的强调,与单向宣教的专题传统相比,更加强调视听表演性,旨在激发观众在情感和价值观上的认同。
In this paper, 15 Documentary Documentary Movies (1) produced by the Central Newsreel Recording Film Studio (Group) during 2003-2013 are selected as the research samples to examine their compilation sources, manifestations and tendencies. Through analysis, this paper argues that documentary cinema is still the official form of reproduction of ideology. However, under the marketization concept of “business history ”, its compilation source contains more individualized and subjective experience data and expression tendencies In story-telling and documentary drama, through emphasizing collective memory symbols, it emphasizes the performance of audiovisual performances in comparison with the one-way missionary tradition in order to stimulate the audience’s approval of emotions and values.