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早期梁思成的建筑设计和思想的面貌为何?他究竟是现代主义者,还是古典主义者?为什么梁思成和林徽因的建筑史基本观念,居然是在他们实地考察中国建筑之前就产生的?林徽因在梁思成建筑史论思想的形成过程中,占据着怎样的历史地位?林徽因的诗人身份,与她作为建筑师和建筑理论家的身份,存在着怎样的联系?诗人徐志摩在诗歌之外,是否还有可能对林徽因的其他方面,尤其是关于中国建筑史思想的形成,施加某种独特的影响?本文试图综合艺术史、建筑史、思想史和文学史的视野,以艺术风格辨析和历史事实考辨为基础,对于围绕着梁思成、林徽因早期建筑设计与思想的一系列疑惑与问题,提供一种具体而审慎的回答。
What was the appearance of Liang Sicheng’s architectural designs and thoughts in the early days? Was he a modernist or a classicalist? Why did Liang Sicheng and Lin Huiyin’s basic concept of architectural history actually occur before they inspected Chinese architecture on the spot? Lin Huiyan’s construction in Liang Sicheng What kind of historical position does the history ideology occupy? What is the connection between her identity as a poet and her status as an architect and architectural theorist? Is it possible for the poet Xu Zhimo to be outside poetry? For other aspects of Lin Huiyin, especially regarding the formation of Chinese architectural history, some unique influence is exerted. This article attempts to integrate the perspectives of art history, architectural history, ideological history, and literary history. It is based on the analysis of art styles and historical facts. The foundation provides a concrete and prudent answer to a series of doubts and questions surrounding Liang Sicheng and Lin Huiyan’s early architectural designs and ideas.