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将天地一气视为世间万物之生命本原，这是华夏民族传统文化心理理解和解释世界的一种根本“视界”。作品存在的意义就在于它是一种生命之象——天地万物生命本原意蕴的一种表现形式或呈现形态。因此，以象或气象概念作为对作品存在或呈现形态的一种审美价值认定，是构成中国传统诗学作品论的一块重要基石，集中体现了华夏民族传统文化心理对文学作品的独特审美要求。这主要表现在整体性、生动性、新颖性三个方面。
To view the world as the life origin of all things in the world is a fundamental “horizon” for the Chinese traditional culture to understand and interpret the world. The significance of the existence of the work lies in the fact that it is a kind of image of life - a manifestation or representation of the original meaning of the life of all things in the world. Therefore, taking the concept of elephant or meteorology as an aesthetic value of the existence or appearance of a work is an important cornerstone of the Chinese traditional poetic work theory, which embodies the unique aesthetic requirements of the traditional Chinese cultural psychology on literary works. This is mainly manifested in three aspects: integrity, vividness and novelty.