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寻根文学发韧于20世纪80年代初,“寻根”口号的提出则始于作家韩少功。1984年12月在杭州“新时期文学回顾与预测”的创作理论会上,韩少功明确指出:“文学有根,文学的根应深植于民族传统文化的土壤里,根不深,则叶难茂。”①李杭育、郑万隆、阿城等几位寻根文学肇始者都参加其中,他们都有自觉而明确的“寻根”共识,不约而同地提到了文学中的文化意蕴。韩少功在《文学的根》(《作家》,1985,4),郑万隆在《我的根》(《上海文学》,1985,5),阿城在《文化制约人类》(《文艺报》,1985,7,6),李杭育在《理一
Root-seeking literary development In the early 1980s, the “root-seeking” slogan was initiated by the writer Han Shaoguang. In December 1984 in Hangzhou “New Period Literature Review and Forecast ” theory of the creation of the meeting, Han Shaogong made it clear: “literature has roots, the root of literature should be rooted in the soil of traditional culture, the roots are not deep, There are many roots-seeking literary geniuses such as Li Hangyu, Zheng Wanlong, and Acheng, all of whom have consciously and explicitly ”root-seeking“ consensus and invariably refer to the cultural connotation in literature. Han Shaogong’s work on ”The Roots of Literature“ (”The Writers“, 1985, 4), Zheng Wanlong’s My Roots (Shanghai Literature, 1985,5), Acheng’s Cultural Restrictions on Mankind , 7,6), Li Hangyu in ”reason one