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杜夫海纳在美学史上的重要贡献在于他用现象学的方法来研究人类的审美经验。审美对象是杜夫海纳论述、研究的一个重点,“表演”和“复制”是理解审美对象的两个基本而重要的概念。弄清表演和复制这两个基本概念的独特含义以及彼此间的密切关系,也就从一个角度把握了杜夫海纳美学理论中审美对象的重要特征,同时正确理解这一理论也对美学史的整体建设有着重要的启示意义。
Duffheiner’s important contribution in the history of aesthetics is that he uses phenomenological methods to study human’s aesthetic experience. Aesthetic objects are two of the basic and important concepts that Dufrenne discussed and studied, and “performance” and “copying” are two basic and important concepts for understanding aesthetic objects. To understand the unique meanings of the two basic concepts of performance and reproduction as well as their close relationship with each other also grasps the important characteristics of aesthetic objects in Duffineau’s aesthetic theory from a single point of view. The overall construction has important implications.