与传统水彩画强调轻快与空灵不同，吴健晖在进行水彩画创作时，蓄意追求的是厚重与斑驳的感觉。为此，他在作画前，往往要用一种进口材料在画纸上做底子，然后再层层罩染。发表在这里的作品《余晖》与《凝静》就是按此种方法画的。 从艺术史的角度看，吴健晖的作画技巧乃是受启 Different from traditional watercolor painting emphasizing lightness and ethereal, Wu Jianhui deliberately pursues the feeling of thickness and mottledness during the watercolor creation. For this reason, before painting, he usually used imported materials to make the foundation on the paper and then covered it in layers. The works published in “Hui Hui” and “Ning Jing” are drawn in this way. From the perspective of art history, Wu Jianhui’s painting skills are inspired