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中国当代艺术市场热起后,在许多媒体的报道中,管艺俨然成为了中国当代艺术收藏界的一块招牌。从很多角度都不难理解人们给予他这样的头衔。即使在今天,当代艺术教育也还不够普及,大众依然难以理解装置、行为以及影像作品的创作动机,仍然会纠缠于装置和雕塑概念上的区别……所以当管艺收藏了如此多的装置作品之时,这种无法被人深入理解的行为就使其被塑造成了一个曲高和寡的人物,而人们对大人物的看法往往陷入单向度认知的惯性中。不避讳谈自己脆弱的管艺,其一路走来的人生历程却又彰显了刚强。通过与艺术相关的话题展开交谈,你会发现他是一个可爱得略显天真的人——有血有肉的人才最容易受人尊敬,因为在他身上你很容易看到似曾相识的那份激情或惆怅,这时,便会像对待自己一样去对待他,尊重自己作为一个独立之人一样去尊重他。
After the rise of the Chinese contemporary art market, in many media reports, Guan Yi has become a signboard for the Chinese contemporary art collection industry. It is easy to understand from many perspectives that people give him such a title. Even today, contemporary art education is not yet widespread enough. The public still find it hard to understand the installation motivation and the creative motivation of video works, and still dwells on conceptual differences between installation and sculpture ... So when the art collection contains so many installation works At a time when such behavior can not be thoroughly understood, it is shaped as a highbrow person, and people’s perceptions of the big man often fall into the inertia of one-way cognition. Not taboo to talk about their fragile tube art, but the journey of life along the way but it highlights the strong. Talk to you through art-related topics and you will find him a cute, slightly innocent man - the flesh and blood of the most easily respected, because you can easily see on him the familiar passion or melancholy, At this moment, he will treat him as he is, respecting himself as an independent person and respecting him.