我记得,两年前,西安市举办青年演员汇报演出时,曾出现过几个较有前途的男演员及其演出的唱做并重的戏,如冯永安的《打镇台》、任炳汉的《斩姚期》、张保卫的《白逼宫》、郝劼的《打柴劝弟》等,引起广大观众的极大兴越,对此欢欣鼓舞。我曾写过一篇《秦腔生角演员的崛起》(载《陕西戏剧》1982年第九期),寄予青年演员以极大的希望。这次又看了省青年演员调演的剧目,如榆林地区的《杀庙》、《白逼宫》,宝鸡地区的《打镇台》,省戏曲剧院的《周仁回府》,铜川地区的《战冀州》等,更令人激动不已,堅定了振兴秦腔的信心。如《杀庙》这出戏,长期以来流行很广,即使近 I remember two years ago, Xi’an City Youth Performing Arts reported the performance, there have been several more promising actors and their performances sing to do both play, such as Feng Yongan’s “hit town”, Ren Binghan’s “ Zao Yao period ”, Zhang Baowei’s“ White Imperious House ”, Hao Yong’s“ Chaiqi advised younger brother ”, etc., aroused great interest in the vast number of visitors, to this joy. I once wrote an article entitled “The Rise of the Actor in Shaanxi Opera” (“Shaanxi Drama”, No. 9, 1982) and places great hopes on young actors. This time they also read the provincial youth performers performers, such as the “Temple”, “White House” in Yulin area, “hit town” in Baoji area, “Zhouren Hui Fu” in the drama opera of the province, War Jizhou “, etc., even more exciting, and strengthen the confidence of the revitalization of Shaanxi Province. Such as ”kill the temple," the play, has long been a very popular, even near