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近几年来,吉林的话剧有点窗户眼儿吹喇叭——名声在外了。的确,以《救救她》、《孙中山》、《高粮红了》、《昨天、今天和明天》、《田野又是青纱帐》等为代表的一批剧目,取得了重大成绩,为戏剧界所瞩目。然而,吉林市话剧团演出的《爱情变奏曲》(见《剧本》月刊87年第3期,下简称《变奏曲》),却是这坚实的现实主义剧作营垒中奔出的一匹“黑马”。它一改以往吉林传统舞台表现形式,也很少吉林话剧特有的凝重感。它身为话剧,却不为“话”所限,大量运用了虚拟和写意等手段,倒有点象没有唱词的戏曲。它只塑造两个人物,却不断地调动穿插人和检场人,参与冲突,推
In recent years, Jilin’s drama has been a bit trumpeting on windows - its reputation has gone away. Indeed, a series of repertoire represented by “Save her”, “Sun Yat-sen”, “High in Red”, “Yesterday, Today and Tomorrow” and “ Attracted attention. However, the performance of ”Love Variations“ by Jilin Repertory Theater (see ”Script“ Monthly Issue 87, No. 3, hereinafter referred to as ”Variations“) is a ”dark horse“ running in the base of this solid realist play. . It changed the traditional performance of the traditional stage in Jilin, Jilin rarely also unique sense of solemnity. As a drama, it is not limited by ”words". It makes a lot of use of the means of fiction and freehand, turning it a bit like a drama without lyrics. It only shapes two characters, but constantly mobilizes intersperses and seconders to participate in conflicts and push