今年可谓“中国女性年”,乘着世界妇女大会的东风,女性文化艺术的浪潮一浪高过一浪,各种名目的带有女性色彩的文化活动应运而生,男士们似乎亦用“绅士”的目光关怀着“女性主义”的成长,期望她从“边缘”地位移向话语的中心位置。然而,这种表像的沸腾似乎并不能从文化的历史积淀中将妇女的命运彻底解放出来。 This year can be described as the “Chinese Women’s Year”. Taking the east wind of the World Women’s Congress, the wave of women’s culture and arts is on the rise. Cultural activities of various manifestations with feminine colors come into being. Men also seem to use “gentlemen ”Concerns the growth of“ feminism ”and expects her to move from“ marginal ”status to the central position of discourse. However, the boiling of such images does not seem to completely liberate the fate of women from the historical accumulation of culture.