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华文作家代表严歌苓一直以她作品中的女性形象和独特叙事方式特立独行于文坛,在她的作品中一个重要视角就是中国的文革。即使定居国外,浸染在异域文化中,严歌苓也总能用冷静的目光审视祖国几十年前的那场浩劫和她因而受到影响的童年经历。作者从文革中走来,却能站在文革之外冷淡叙述那个激情年代下的人与事。本文着重从“戏中人”和“局外人”这个双重视角来分析严歌苓笔下的“另一种文革”。
Yan Geling, the representative of the Chinese writer, has always been the lone traveler in the literary world with the image of women and her unique narrative style. An important perspective in her work is the Chinese Cultural Revolution. Even when settling in foreign countries and being immersed in exotic cultures, Yan Geling also can always use her calm eyes to examine the catastrophe in her homeland decades ago and the childhood experience she has been affected by. The author came from the Cultural Revolution, but can stand in the cold outside the Cultural Revolution to recount the people and things under that passion. This article focuses on the analysis of Yan Ge Ling’s “Another Cultural Revolution” from the dual perspective of “actor ” and “outsider ”.