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本文以韩美林近十年作品为文本,解读他的宏观创作策略和社会意义。本文认为,韩美林以学院艺术家的背景,用中国博大的民间艺术语言,营造了某种属于他个人化的“新民间”艺术。韩美林“新民间”艺术的策略主要是在形式上完成了对原生民间的再生,因而具有强烈的社会性和艺术史意义。
This article uses the works of Han Meilin nearly ten years as the text to interpret his macroscopic creative strategy and social significance. This paper argues that with the background of college artists, Han Meilin has created some “new folk” art which belongs to his personalization with the large folk art language in China. Han Meilin’s strategy of “new folk” art is mainly to formally complete the regeneration of the original folk and therefore has a strong social and artistic history significance.