古代中国是一个农业社会,脱胎于其中的文化自然不可避免地打上深刻的农耕文明烙印。反映在绘画上,传统中国画的笔墨语言极善于表现湖山云树之类的自然景致,传达高逸悠远的意境,并形成了一套严密而相对恒定的创作和鉴赏体系。然而,这一完美的平衡随着社会变迁、西学东渐被逐步打破。首先是画家的日常所见,再也不是浮岚烟树、溪山高远,取而代之的是环峙高耸的水泥森林,隐约模糊的曲线被刚劲明晰的直线所取代,这 Ancient China is an agricultural society, and the culture born of it inevitably lays a profound mark of farming civilization. Reflected in the painting, the traditional Chinese painting of the pen and ink language is extremely good at the performance of natural landscapes such as the mountains and clouds, to convey the artistic conception of a long and distant, and formed a set of strict and relatively constant creation and appreciation system. However, with this perfect balance, social progress has gradually broken the West. The first is the painter’s daily view, no longer floating Floating trees, lofty mountains, replaced by ring towering cement forests, vaguely fuzzy curve was replaced by a strong and straight line, which