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论文从厉鹗词作本体入手,发掘厉氏词风演进的阶段性特征,并分析此种变化出现的原因及其内涵。论文认为厉鹗早年处于词学尝试期,以《秋林琴雅》为代表,没有形成较为统一的风格;中年效法姜夔,词风清隽幽婉,以《樊榭山房集·词乙》为代表;晚年词风趋向清冷孤寂,更接近张炎之词,作品以《樊榭山房续集·词甲》为代表。厉鹗词风的演进,既是其本人词学观念、生平遭际变化所致,也呼应了是时的词坛趋势,厉鹗因此才能成为清代中期最具典型意义的词人。
The essay begins with Li Ting’s Ci as the ontology and explores the stages of the evolution of Li’s Ci-Poetry. It also analyzes the reasons and connotations of such changes. The dissertation holds that Li Li was in the period of Ci-Ci study in her early years and represented by Qiulianqinya. There was no uniform style. In his middle age, B “as the representative; later style tends to be cold and lonely, closer to the word of Zhang Yan, works to” Fan Se Shanfang sequel · Ci A "as the representative. The evolution of the style of Li-Li is not only caused by his own concept of Ci-Ci, but also by the change of his life. It also echoed the tendency of Ci-Poetry. Li Li therefore became the most typical poet in the middle period of the Qing Dynasty.