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伪造名画家作品以谋取暴利,古已有之,不足为奇。但近十余年来,这一“行业”之“兴旺发达”,却是前所未有的奇特现象。其造假对象之广,伪作数量之多,所用手法之“妙”,真是令人叹为观止。许多伪作都是“集体创作”。参与者各显其能,分工合作:有专门造画者、有专司提款者、有专仿印章者、有专管做旧者。造画者又分专攻张大千者、专攻齐白石者、专攻傅抱石者,等等。还有所谓“地域优势”,如西安有人大造石鲁的假画,南京则有人大画傅抱石的伪作。
It is hardly surprising that forged fame and fortune-wielding works have been invented in ancient times. However, in the past ten years or so, “prosperity” of this “industry” has been an unprecedented phenomenon. Its object of fake wide, pseudo-as many as the use of the “wonderful” is really amazing. Many fake works are “collective creation.” Participants were able to show their ability, division of labor and cooperation: there are special make-up artists, specializes in withdrawals, a copy of those who have a special seal, there are specializes in doing the old. The artist also specializes in Zhang Daqian, specializing in Qi Baishi, specializing in Fu Baoshi, and so on. There are also so-called “geographical advantages”, such as the making of sham wood paintings in Xi’an, and the fake painting of Fu Baoshi in Nanjing.