庄严与静穆二十世纪八十年代初,我打开《张迁碑》,粗犷的语言,朴茂的气息,远隔千年之久,直抵我的内心。虽然,我的理想并不是当一名书法家,甚至依据八十年代的价值取向,对于书法,或重或轻地凝聚起了疑虑的目光。没有办法,那个时代的选择丰富而多元。青年时代的精神一瞥,决定了今后的审美判断。对于隶书——中国文字的一种书体,开始了漫长的艺术的审视。在启蒙和更新观念的时代语境里,我顽强地留住 Solemn and quiet Mu Twentieth century, the early eighties, I opened the “Zhang Qian monument,” the rough language, Pu Mao breath, far after a thousand years, straight to my heart. My ideal, though, is not to be a calligrapher, but even suspicious of calligraphy, or heavy or light cohesion, based on the value orientation of the 1980s. There is no way, the choice of that era is rich and diverse. A glimpse of the youth determines the future aesthetic judgment. For the official script - a book of Chinese characters, began a long artistic review. In the context of times of enlightenment and renewal, I stubbornly keep