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西方画坛多少年来都将画面的视觉效果、平面性空间、感性真实、光色和谐作为最高的艺术追求。尤其是西方现代绘画,更加强调对传统透视中心主义的反叛。画家们将艺术创作中把视觉本质的认识和在画作中视觉效果的纯粹性表现,视为艺术创作过程中最为重要的要求和指标。本文由绘画的视觉存在入手,从视觉反叛历史、视觉效果在绘画中的表现,以及视觉在绘画中的审美形态多个方面展开论述,全面阐释了视觉表现形式存在的意义和其艺术价值。
Western art scene for many years the visual effects of the screen, flat space, authentic sensual, light color harmony as the highest art pursuit. In particular, Western modern painting emphasizes more the rebellion against traditional perspective-centrism. Painters regard the understanding of visual essence in art creation and the pure performance of visual effects in paintings as the most important requirements and indicators in the process of artistic creation. This article begins with the visual existence of painting, discusses the history of visual rebellion, the performance of visual effect in painting, and the aesthetic form of visual in painting, which fully expounds the significance and artistic value of visual representation.