“笔墨当随时代”。这是中国书画家们一直在努力实现的目标。与书画同宗同源的盆景艺术也应该与时俱进地在创作实践中,力争体现当今新时代的风貌和振兴中华、奋发向上的民族精神。在盆景界有相当一部分人,他们似乎有一个共同的喜好,那就是“崇古”。他们都以古桩、古盆、古几架、仿古配件、古诗词题咏等为最名贵,最具艺术性,有人甚至把“活的文物”作为盆景鉴赏的重要标准之一。从某种角度讲,这样做也不无道理。但从现实角度考虑,越古老的东西与现实生活相距越遥远,不容易被大多数人理解和接受。更 “Pen and ink as time goes by.” This is the goal that Chinese calligraphers have been working hard to achieve. Bonsai art, which shares the same origin and the same origin with calligraphy and painting, should also keep pace with the times. In the practice of creation, it strives to reflect the style of the new era of the present age and the national spirit of rejuvenating China and making progress. In the bonsai sector there are quite a few people who seem to have a common preference, that is, “Chonggong.” They are all ancient piles, ancient pots, a few ancient frames, antique accessories, ancient poetry and other topics for the most expensive, the most artistic, and some even “living artifacts” as one of the important criteria for bonsai appreciation. In some ways, this is not unreasonable. However, from a practical point of view, the more distant the ancient things are from the real life, they are not easily understood and accepted by most people. more