传统艺术表现方法的终点,恰好是现代艺术表现方法的起点.撇开诗歌、戏剧、散文等文学样式不论,单就小说艺术从古典到现代的种种特点变化来说,就是一个明显的例证.从叙事学的角度来看,古典小说基本上采用线性叙述结构,在平面的、刻板的、有序的叙述框架内构造故事,刻画人物,以形象的塑造、人物的刻画、情节的调置为艺术的指归.毋庸赘言,这样的艺术“形式”把读者置于依附的地位,读者的接受只能是给定的、被动的、消极的,乃至片面的.现代小说艺术则突破传统的局囿,驾驭想象,变异时空,以融和审美主客体意识,达到创新求变的目的.西方现代派著名作家普鲁斯特、乔伊斯、伍尔夫、福克纳都在寻求现代小说艺术的“新形式”上作过不懈的探索.而这 The end of the traditional artistic expression method is just the starting point of the modern artistic expression method.It can be seen that the literary style of poetry, drama, prose and so on are the obvious examples of the change of all kinds of features of the novel from the classical to the modern.From the narrative Learning from the point of view, classical novels basically use linear narrative structure, in the plane, rigid, orderly narrative framework for the construction of the story, portrays characters, with the image of the characterization of the portrayal of the plot for the arts Needless to say, such an art “form” puts the reader in a dependent position, and the reader’s acceptance can only be given, passive, negative, and even one-sided.Modern novel art breaks through the traditional bureaucracy, Control the imagination, change the time and space, in order to melt the consciousness of the subject and object, to achieve the purpose of innovation and change.Western writers Proust, Joyce, Woolf, Faulkner are seeking modern art novel “new Form ”made a tireless exploration. And this