“思想解放”的信号发出后，自我与文化这两个题目在文学作品和一般讨论中成为热点。自我发现标志着７０年代末８０年代初中国新诗潮的滥觞，８０年代中期“寻根”重新发现自己的文化传统，诗坛兴起“史诗”热潮。本文就自我与文化的关系讨论《敦煌》、《飞天》、《有关大雁塔》三首诗。在阐释这些诗的同时，也就现代世界中自我与文化这一关系陈述一些看法 After the signal of “emancipation of the mind” was issued, the two topics of ego and culture became hot spots in literary works and general discussions. Self-discovery marks the beginning of the new wave of Chinese poetry in the late 1970s and the early 1980s. In the mid-1980s, Root-Seeking rediscovered its own cultural tradition. This article discusses the relationship between self and culture, “Dunhuang”, “Flying”, “Three Big Wild Goose Pagoda” three poems. While interpreting these poems, they also made some observations on the relationship between self and culture in the modern world