(一)弗莱关于视觉的理论非常复杂,构成了一个生物视觉,实践视觉(日常视觉),审美视觉(指鉴赏所需的眼光),以及创造性视觉(指创作所需的眼光)这样一个四级序列。弗莱形象地称为“我已讨论的不同视觉如同一辆汽车不同的排挡一样,我们有时仅是从一个挡踩到另一个不知道的挡。艺术家为了正确地回答我们则可以踩在错误的挡上。”(参见《艺术家的视觉》,见弗莱《视觉与设计》第33-34页,沈语冰译) (1) Frye’s theory of vision is very complex and constitutes a four-dimensional view of biological vision, practical vision (daily vision), aesthetic vision (vision required for appreciation), and creative vision Level sequence. Fry is vividly described as “The different visions I’ve discussed are the same as the different gears of a car, and sometimes we’re just going from one gear to another. The artist can step on the error in order to answer us correctly (See ”The Vision of the Artist,“ see Frye, ”Vision and Design," pp. 33-34, translated by Shen Shenbing)