回望中国情诗的历史丛林,晚唐李商隐的情殇悲歌可谓“枇杷晚翠”,总充盈着空际传神的幽幻深碧,泽被千载,在宏观纵向的诗史上,多有历时性的美的和声。如二十世纪四十年代穆旦的情诗,在生命体验、情思延展、心语呈现上均与李诗有令人惊异的共通处,透出冷色的悲蕴美。古今两位诗人的写心之作,都创构了氤氲沃若、精微隐约的爱情境域。 Looking back at the historical jungle of Chinese love poetry, the tragic song of Li Shangyin in the late Tang dynasty can be described as “loquat late Tsui”, which is filled with an empty and vivid glimpse of the deep blue sky and Ze is over thousands of years. In macroscopic vertical poetic history, Beautiful harmony. Mu Dan’s poems such as Mu Dan in the 1940s have astonishing commonalities with Li’s poetry in life experience, emotional extension and presentation of heart language. Both ancient and modern poet’s heart for writing, have created a 氤 氲 Woluo, subtle vague love scene.