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对童话而言,时间是关系着童话艺术发展的一个关键词。本文以叙事时间为着力点,结合大量具体的文本,较为宏观地考察了创作童话在叙事时间和结构上的三大特点:心理时间的引入主要体现为直接进入幻境手法的运用;线性情节结构的打破使叙事时间呈现空间化倾向;对时间本体的关注赋予时间以具体可感的形象,通过对时间的关注传达作家的哲学思考。
For fairy tales, time is a key word related to the development of fairy tale art. This article takes narrative time as focal point and combines a large number of specific texts to examine macroscopically the three characteristics of narrative time and structure in the creation of fairy tales: the introduction of psychological time mainly embodies the application of direct entering into the illusionary process; the linear plot structure Breaking makes narrative time tended to be space-oriented. Concern over time ontology gives time to convey the author’s philosophical thinking through concrete attention to time.