上篇我以为陈染的小说,是私小说发展的极致。尽管对陈染有肯定的声音,但对囿于原有批评框架的批评家来说,陈染的作品,因其过分沉迷于小我境地,终难构成黄钟大吕般的大气象。但我喜欢陈染,尽管没有见过她,当我第一次阅读她的作品时,这种喜悦就致命地笼罩了我。那时我读的是她的《纸片儿》。她的语言像一个个精灵的舞蹈,我要命地被迷住了。后来,大约是2004年,在一家书店闲逛时,看到了她的《私人生活》,毫不犹豫地将它 The first chapter I think Chen dyeing novel is the ultimate development of private fiction. Despite the affirmative voice of Chen, for critics who belittle the original framework of criticism, Chen’s works are ultimately hard to constitute the grand atmosphere of Huang Zhongda, because of their excessive indulgence in the individual world. But I like Chen Ran, though I have never seen her before, and when I first read her work, this joy has fatally shrouded me. At that time I read her “piece of paper.” Her language is like a wizard dance, I was fascinated by life. Later, around 2004, when she was hanging out in a bookstore, she saw her “private life,” without hesitation