“神韵”诗论作为中国古代的一种诗歌创作和评论主张,它的产生有其悠长的历史渊源,它的美学内涵又极为丰富,所以对它的理解也多种多样。司空图、严羽、王士禛在他们各自的论著《诗品》、《沧浪诗话》、《带经堂诗话》中对“神韵”内涵均有自己的解悟,虽都有朦胧难解之处,但透过语言表面我们可以发现“神韵”美的基石是“真”和“清”。 As a kind of poetic creation and commentary in ancient China, poem theory of “ShenYun ” has its long historical origins. Its aesthetic content is very rich, so its understanding is varied. Sikongtu, Yan Yu and Wang Shizhen both have their own enlightenment in their respective works, such as “Shi Pin”, “Canglang Poetry” and “with Jingjing Poetic”, although they all have their own obscure However, through the language surface we can find that the cornerstone of beauty is “True ” and “Clear ”.