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在我国浩如烟海的陶瓷历史长河中,陶瓷造型千变万化,装饰手法丰富多彩。而“莲花”应用于陶瓷的造型和装饰更是源远流长。本文试图对青花陶瓷中的莲花纹样在各个时期的装饰特点的演变作些探索。青花瓷器产生于何时?众说纷纭,莫衷一是。后在1929年,英人霍布逊发现了铬有元至正十一年(1351)的青花云龙象耳瓶。从此以后国内外研究我国古瓷器的人根据这件瓷器的造型、胎、釉、料色与纹样方面的特征,把许多传世的,或出土的与这件瓷器的工艺和装饰风格相近的青花瓷器,确定为元代青花。这只带有年款的瓶子公诸于世以后,中外研究古陶瓷的以此作为元代创始青花的依据。因此本文试图从元、明、清三个时期莲花纹样与青花瓷的关系进行阐述。一、说莲蓬花,又称菡萏、水芸、泽芝、芙蓉、
In our vast history of ceramic history, the ever-changing ceramic shapes, colorful decorative practices. The “Lotus ” used in ceramic modeling and decoration is a long history. This article attempts to explore the evolution of the decorative features of the lotus pattern in the blue and white ceramics in different periods. Blue-and-white porcelain produced when? Different opinions, incomprehensible. Later in 1929, English Hobson found the blue-and-white cloud-like ear-shaped bottle of chrome with eleven to eleven years of age (1351). Since then, people studying ancient Chinese porcelain at home and abroad have classified many blue-and-white porcelains that are handed down or unearthed in accordance with the style and decoration of the porcelain according to the characteristics of the porcelain, the shape of the tire, the glaze, the color and pattern of the porcelain. , Identified as the Yuan Dynasty blue and white. Only with years of bottle made public after the world, ancient and ancient porcelain as a basis for the founding of the Yuan Dynasty blue and white. Therefore, this article attempts to expound the relationship between the lotus pattern and the blue and white porcelain from the three periods of Yuan, Ming and Qing. First, that lotus flower, also known as 菡 萏, water Yun, Ze, Furong,