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2007年4月7日下午,在南门空间的小礼堂,在舞台的正中央,在聚光灯下,王楚禹赤裸全身,半跪着,被一根用钱缠绕成的粗麻绳绑在一根木桩上,绑成现代活体雕塑版《怒吼!中国》。舞台前端,扩音器里正在反复播放个冰冷的女中音:经典作品、版数有限,预购从速。观众席里不时有人走上舞台,在镁光灯下拿出100元人民币,与活体雕塑合影,以各自不同的方式表达他们对钱的看法。
On the afternoon of April 7, 2007, in the small auditorium of the South Gate Space, in the middle of the stage, under the spotlight, Wang Chuyu was naked and half kneeling, tied by a money-wound rough hemp rope to a wooden post On, tied into a modern living sculpture version of “roar! China.” The front of the stage, loudspeakers are playing repeatedly a cold baritone: classic works, limited edition, pre-order as soon as possible. From time to time in the auditorium, somebody took to the stage and brought out 100 yuan under a spotlight to take a group photo with living sculptures to express their opinions on money in different ways.