中国古代诗学的“诗法”大致相当于西方文论的“创作方法”。“诗法”论在古代诗学中占有重要地位。明末清初的王夫之对“诗法”问题发表了许多观点 ,有待加以深入研究。“诗法”或“创作方法”有三个层面 ,与作为哲学家的运思方式不无关系 ,船山的“诗法”论在第一个层面具有独特的贡献和价值 ,而对第二、三两个层面的认识则显得偏颇与不足。 The “poetic law” of ancient Chinese poetics is roughly equivalent to the “creative method” of western literary theory. The theory of “poem law” occupies an important position in ancient poetics. Wang Fuzhi of the late Ming and early Qing published many views on the issue of “Poetry Law”, which needs further study. There are three levels of “poem law” or “creation method”, which is not unrelated to the philosopher’s way of thinking. Chuanshan’s poem-law theory has unique contribution and value on the first level, while on the second and the third A level of understanding is biased and inadequate.