油画界这几年有几方面可喜的渐变: 其一,载体的个性化。一点深入,回到真实。从以往流行的假、大、空的题材转向返回内心,有感觉,有兴趣的题材上来。并且从虚假的“现实主义”与做作的“浪漫主义”的创作方法解脱出来,自觉,自明,自律。不再顾及与自己无关的空中楼阁的“现实”。或所谓的现实生活中的“故事”。艺术要求改变并超越日常的现实。“超现实性”和“抽象性”这是创造者的感情或想象的非逻辑灵感的混合物是超现实的观点与艺术家的经验、艺术实践相结合的产物,这是画家尽力去对自然、人、社会进行思考,加工,再创造后的第二自然,而非简单的摹 In recent years, the oil painting industry has gratifying changes in several aspects: First, the carrier’s personalization. A bit deeper, back to reality. From the popular fake, big and empty theme turned back to the heart, there are feelings, interested topics up. And freed itself from the false “realism” and the creative method of “romanticism”, consciously, self-evident and self-disciplined. No longer take into account the “reality” of the air pavilion that has nothing to do with oneself. Or so-called “stories” in real life. Art requires changing and beyond everyday reality. “Surrealism” and “Abstraction” This is a mixture of creator’s feelings or imaginary non-logical inspiration. It is a combination of surreal viewpoints and artists’ experiences and artistic practices. It is the painter’s best effort to study nature, man , The community after thinking, processing, and then create a second nature, rather than simple copy