论文部分内容阅读
在我国绘画历史的长河里魏晋南北朝时期是一个非常重要的朝代,由于顾恺之生活的时代的特殊性,造就了他的情感与艺术也很特别,从而形成了独特的的艺术风格。顾恺之“传神写照”的绘画理念是中国传统形神绘画理论中的金典,本文以顾恺之艺术成就为支持,力图还原传神写照的本义,对正确理解形神绘画理论在魏晋时期如何崛起具有重要意义。
In the long history of Chinese painting history, Wei, Jin, Southern and Northern Dynasties is a very important dynasty. Due to the particularity of the age of Gu Kaizhi’s life, his emotion and art are also very special, thus forming a unique artistic style. Gu Kaizhi’s painting concept of “vivid portrayal” is the Golden Canon in the Chinese traditional god-shaped painting theory. This article attempts to restore the original meaning of expressive portraiture with the support of Gu Kaizhi’s artistic achievements. It is of great importance to understand correctly how the metaphysical painting theory rose in the Wei and Jin Dynasties Significance.