上世纪六七十年代,在中国大地掀起了“工业学大庆,农业学大寨”的热潮。1973年全国美术作品展览中,一幅王迎春、杨力舟合作的《挖山不止》国画作品,更是突出了陈永贵等大寨人的高、大、全形象,将全国学习大寨的活动推向了高潮,获得了全国各地众多美术界、艺术家的热捧,并纷纷以此国画为范本,或移植,或引用到木雕、丝绸、油画等众多载体上。 The sixties and seventies of last century, set off in the land of China “industrial Daqing, agriculture learn Dazhai ” craze. In the National Art Exhibition in 1973, a painting by Wang Yingchun and Yang Lizhou collaborating on the “digging mountains” not only highlighted the high, big and full images of Dadou like Chen Yonggui, but also pushed the activities of learning about Dazhai throughout China Climax, access to many art circles across the country, the artist’s favorable, and have this Chinese painting as a template, or transplant, or quoted in wood carving, silk, painting and many other carriers.