和叶明的交流,让我想起了马格利特,是的,一个冷静的西装男。不是说他们作品的画面样式有什么可比性,而是在于手法上,以现实主义风格的表现手法,混淆了视觉的真实性,挑战着观看者对“物象”的习惯认知。叶明是一个造谎者,这点他不予否认,因此大多数作品,都被他类归为“谎言”系列。作为观念摄影艺术家,即时性、随机、偶发的创作方式已被大家所普遍认同。而叶明却选择以传统摆拍的方式造景,利用纪实摄影(8×10胶片直拍)的手法, And Ye Ming’s exchange, reminds me of Magritte, yes, a cool suit male. Not to say that the style of the picture of their works is comparable, but rather in terms of tactics, in a realistic style of expression, to confuse the authenticity of the visual and to challenge the viewer’s perception of “object ”. Ye Ming is a liars, he does not deny it at this point, so most of the works are classified as “lie” series by others. As a concept photography artist, immediacy, randomness and sporadic creative methods have been universally accepted by all. However, Ye Ming chose to make the scenery in the traditional way of swinging. Using the technique of documentary photography (8 × 10 film shooting)