提起具象绘画,无法回避对造型的认知。然而对于造型的理解,是一个复杂的议题。造型是否就是一个绝对再现的过程,这一再现的含义是否就在于模仿得精确?造型是否可以通过解剖与表现技术来解决,是否是一种手技的体现呢?如果造型仅仅是来自于表现对象的真实感,那么这一问题早在暗箱出现的年代就予以统一解决了,如此,也就不存在造型的差异。如果这样狭义地 Lift the concrete painting, can not avoid the cognition of modeling. However, the understanding of modeling is a complicated issue. Whether the modeling is an absolute process of reproduction, whether the meaning of this reproduction is to imitate accurately? Whether the shape can be solved through anatomical and performance techniques, whether it is a manifestation of technology? If the shape is only from the performance of the object Realistic, then this problem as early as the era of black-box to be a unified solution, so, there will be no modeling differences. If so narrowly