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危机中的新生儿 小品在什么样的背景下产生、发展起来?大家记得,当戏剧出现了危机,剧场门前冷落,电视大行其道,进入千家万户之时,小品从原先教学用的一种形式,演变而成较为完整的微形戏剧,激活了舞台,挤进了荧屏。一开始就显示出了巨大的爆发力和顽强的生命力。它以短、平、快特有的优势,根植于戏剧而又脱胎于戏剧,真可谓是异军突起,活得好,并且活得越来越好。 当前的小品,早已不是当年狭义的那种片断和教材,它已是广义的小型戏剧。因而不必刻意来给小品下什么精确的定义,界定它的形式和特点,不妨在概念上模糊一些,在艺术上精细一点,让它充分展示出戏剧作品所具有的特殊魅力。只是别忘了它的两个基本点:一是短小,二是耐品。小品小品,小而有品也。
What kind of newborn essay in the crisis arises and develops? As we all know, when there is a crisis in the drama, the theater is in front of the cold, the television is popular, and when it comes to millions of households, the essay is used in a form originally used for teaching , Evolved into a more complete miniature drama, activated the stage, squeezed into the screen. From the very beginning showed a huge explosive and tenacious vitality. It is short, flat, fast unique advantages, rooted in drama but born out of drama, it really is a sudden emergence, live well, and live better and better. The current sketch is no longer the narrow piece of material and teaching material of that year. It is already a broad-based mini-drama. Therefore, it is not necessary to deliberately define precisely what the essay is. Defining its form and characteristics may be blurred in concept and fine in art, so that it fully demonstrates the special charm of a dramatic work. Just do not forget it's two basic points: First, short, and second, durable. Pieces sketches, small but also products.