对徐善循先生而言,回到墨线书写,处于现代性转化的水墨艺术之中,只有一个问题,那就是自问:如果黄宾虹还活着,他会怎么想,怎么做?无疑,这是一个中国现代性墨线书写最为内在的根本问题。善循先生接续黄宾虹,无论是笔墨训练,比如在美术馆现场临摹书法(这是做没有人做过的事情,如同绘画的写生,直面笔、墨、纸的神采),还是只身自然,在自然的场域中大幅写生,他的墨线书写都并非黄宾虹“勾古法”的速写,而是 For Mr. Xu Shanxun, returning to writing in ink lines and in the ink art with modernity conversion, there is only one question that is asking himself what he would think and do if Huang Binhong was still alive. This is undoubtedly a Chinese modernity Ink writing is the most fundamental underlying problem. Goodbye continues Huang Binhong, whether it is pen and ink training, such as copywriting calligraphy in the museum scene (which is no one has done, as painting sketching, straight pen, ink, paper look), or just natural, in nature Of the field in a large sketch, his ink writing is not Huang Binhong “hook Ancient Act ” sketches, but