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鹤作为中国传统文化的一个代表性符号,其自身的文化内涵十分丰富而深刻。鹤作为表现题材和研究对象,不但很早就出现在中国画里,而且自始至终给中国画家带来许多方面的启示。中国画作为一种不以客观造型刻画的画种,其主要的表现切入点就是鹤这样的带有诸多文化内涵和思想启示意义的符号化形象的意象性的表现。鹤不但可以给中国画家提供丰富的创作题材,更能愉悦画家的心情,寄托画家的思想情感,而且最终还发展为一种抽象化了的语言符号,成为中国画里重要的题材和表现对象。
Crane as a symbol of traditional Chinese culture, its own cultural connotation is very rich and profound. Crane as a performance theme and research object, not only appeared in Chinese paintings very early, but also brought many enlightenments to Chinese painters from beginning to end. As a kind of painting which is not portrayed in objective form, Chinese painting is mainly characterized by the symbolic image of crane with many cultural connotations and enlightenment implications. Crane can not only provide Chinese painters with a wealth of creative themes, but also enjoy the artist’s mood more comfortably, and at the same time, develop an abstract linguistic symbol and become an important subject and object of expression in Chinese painting.