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凉意爽人的2007年11月19日,来自中国、韩国、日本、美国和法国等国家的139位作者,200多件作品汇集一堂,“从河姆渡走来——第二届2007国际现代漆艺展”在清华大学美术学院B座一层展览大厅隆重开幕。此展是继2005年中国现代漆艺展之后举办的又一次盛会。它仍然秉承“从河姆渡走来”的命题精神和策展主旨。从长江下游朱漆木碗出土地的河姆渡村伊始,到沿岸的扬州、随州、荆州、马王堆、成都、昆明等地,是几个时代漆文明、漆文化步入高峰期的圣地。今天,漆艺的发展从孕育了它的母亲河走向了更远的四面八方,也从过去的古代走进了我们现代的生活……我们从当下回眸漆文化最初的起点,旨在前瞻漆文化发展的未来。
Cool and cool person November 19, 2007, from China, Korea, Japan, the United States and France and other countries of 139 authors, more than 200 works come together, “came from Hemudu - the second 2007 International Modern Paint Art Exhibition ”grand opening in the first floor exhibition hall of Tsinghua University Academy of Fine Arts. This exhibition is the second event to be held after the 2005 China Modern Lacquer Art Fair. It still adheres to the proposition and the theme of curating “coming from Hemudu.” From the beginning of the Hemudu Village, where the unearthed lacquered wooden bowl was located in the lower reaches of the Yangtze River, to Yangzhou, Suizhou, Jingzhou, Mawangdui, Chengdu and Kunming along the banks of the Yangtze River, it is a sacred place where civilization and paint culture of several periods entered a peak. Today, the development of lacquer art has gone further from all directions in the mother river where it was born. It has also come into our modern life from the ancient past ... From the moment we look back at the initial starting point of lacquer culture and look forward to the development of lacquer culture s future.