论文部分内容阅读
诗歌写作是一种灵魂的事业,它关乎我们的心灵,关乎对人类精神空间的探索。中国当代诗歌,尤其是近20年的中国诗歌,大多落入到了一种简单的、实用的、庸俗社会化的现实写作之中,过分强调现实感,并且只在社会、人伦、民族、国家这样一些层面上,表达一个诗人对人世的看法。很多当代诗歌的精神空间太有限,心灵维度不丰富,作品所蕴含的精神复杂性远远不够。刘永馨远涉自然行吟歌唱,她在对现实超越的同时,并没有将辉煌的现存世界抛弃,没有将读者抛弃,这是诗人成熟的清醒的回归。诗人旷达的人格境界和丰富的精神内涵完美自足地呈现在我们面前,读着这些生气勃勃、清晰敏锐、富于个性的诗章,读者获得的是自由和鼓舞。
Poetry writing is a kind of soul business, it relates to our mind, it relates to the exploration of human spiritual space. Most of Chinese contemporary poetry, especially the poems of the past 20 years, fall into a kind of simple, practical and vulgar socialized realistic writing, overemphasizing the sense of reality, and only in social, human relations, nation and state On some levels, express a poet’s view of the world. Many contemporary poetry is too limited spiritual space, spiritual dimension is not rich, the spirit of the work contained in the complexity is not enough. Liu Yongxin, who practices singing from a natural distance, has never given up her readers without abandoning the brilliant existing world while surpassing the reality. This is the sober return of the poet’s maturity. The poet’s broad-minded personality realm and rich spiritual connotation are presented perfectly before us. Reading these fresh, sharp, and individual poems, the readers gain freedom and encouragement.