传统的豫剧唱腔伴奏,艺人们讲究“丑不丑一合手”。那时无严格的定谱,与声腔的配合全靠鼓师“递簧”。这时的伴奏手法大致上有两种:1.随腔伴奏。2.清唱清补。这两种手法都形成了以下特点:首先乐队的音量不压声腔,其次是在声腔的高潮段落或某些激情的甩腔中,乐队都能予强有力的支持。这两 Traditional opera singing accompaniment, artists pay attention to “ugly ugly a match.” At that time no strict fixed spectrum, with the sound cavity all rely on the drum teacher “Spring.” At this time there are two types of accompaniment: 1 accompaniment with the chamber. 2. Singing Qing Qing. Both of these techniques have the following characteristics: first, the band’s volume does not depress the sound cavity, followed by the climax passage of the sound cavity or some passionate excitement chamber, the band can give strong support. These two