今人极少“创作”楷书,而在此楷书范畴中,唐楷又是尤其备受冷落的,大部分仍在坚持楷书创新的书家大多把眼光放在了魏碑一派。按理说,唐楷乃楷书之巅峰,但为何历来争强好胜的今之书家却并不屑于“超越”古人呢?魏碑之兴,始于清代考古、金石之学的兴盛,当那些远古的刻石逐渐面目清晰的时候,这种湮没已久的朴拙、 Today few “creative ” regular script, and in this regular script category, Tang Kai is particularly neglected, most of the book authors who still insist on regular script innovation focused on the Weibei School. It stands to reason that Tang Kai is the pinnacle of regular script, but why has this bookist who has always been victorious and contemptuous? “Beyond” the ancients? The relic of Weibei began in the Qing Dynasty archeology, Those ancient stone carved gradually clear when this oblivion has been a simple,