一篇小说拿来,首先看到的自然是语言。好的语言除了简洁、准确,还要能寥寥数语,就带出一种情绪,形成一种气氛,袭来一股气息。东君在《浮生三记》的序言里说:“好的小说必须有一股气息,这股气息来自繁杂人世,与地气相接。”有时候,有没有气息对一篇小说来说,它的重要性甚至要超过小说的主题。气息是一种韵致,它往往是一个作家风格的重要标志。但要做到有气息,决不是一件容易的事。这很能体现一个作家的能耐,它需要作家受一方水土风物的长期浸染,需要生命的历练和精确的表达。鲁迅的水乡、沈从文的湘西、萧红的东北、贾平凹的 A novel comes first to see the nature of language. In addition to concise, accurate language, but also can be a few words, a good language to bring out a mood, the formation of an atmosphere, hit a breath. Dong Jun said in the preface of “Epidemic of Epidemic”: “A good novel must have a breath of breath coming from a complicated world and connecting with the earth.” Sometimes there is no atmosphere for a novel, It's even more important than the novel's theme. Atmosphere is a charm, it is often an important symbol of the writer's style. But it is by no means an easy task to be breath-taking. This is a manifestation of the competence of a writer. It requires that writers be affected by the long-term influence of water and soil on one side and need life experiences and precise expressions. Lu Xun's water, Shen Congwen Xiangxi, Xiao Hong northeast, Jia Ping concave