我在想,是否能将尤伦斯当代艺术中心本身就看成一个多元文化的包容体或载体,从历史到形态与内容。包豪斯的建筑本身就是20世纪初期的现代主义风格,外国设计师设计的厂房一直服务于中国的工厂。直到现在又经外国设计师的改造焕然一新成为了一座落地中国的国外艺术机构,并展出着中国的当代艺术。一切都很奇妙,历史翻过了一页,但是好像一切又回到了起点。 I wonder if the Ullens Center for Contemporary Art can be seen as a multicultural body or carrier in its own right, from history to form and content. Bauhaus building itself is the early 20th century modernist style, foreign designer plant has been serving the plant in China. Until now, it has been transformed into a foreign art institution that landed in China by the remodeling of foreign designers and exhibited contemporary Chinese art. Everything was wonderful, history turned a page, but it seems everything is back to the starting point.