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《千年之恋·源氏物语》曾经被誉为世界上最早的长篇写实小说《源氏物语》大概可以看成日文版的《红楼梦》,以日本贵族光源氏的故事为核心,带出了众多或因偶遇生情,或有宿世之缘,与之关系暧昧的女性。作为对东映公司50周年纪念的献礼,导演崛川顿幸将《源氏物语》搬上银幕。全片耗资14亿日元,剧组着力于服装和场地布景,在细节上再现了平安时代的奢华生活。摄影则采用了新型 HD24机器和电脑 CG 绘图技术进行精密的影像处理。由天海祜希、常盘贵子、吉永小酉台分饰主演的豪华阵容更是完美地演绎了一个唐璜般的爱情寓言。《迷失天使城》在“9·11”后的洛杉矶城里,一个阿拉伯人被枪杀,退休老兵保罗偏执地认定背后涉及危害国家的大阴谋,决定单枪匹马荷枪实弹地追查到底;他的侄女——对战争充满厌恶的兰娜同样渴望寻找真相,找出死者的家人身世,以作安慰。导演维姆·文德斯希望以欧洲人角度,描述后“9·11”时代受害人们的痛苦和惊恐情绪。但令他感到不安的是痛苦和惊恐背后,美国社会所表现出的歇斯底理式反抗和是非混淆的价值。这部小制作的影片以数码录像摄制,虽然没有宏大的场面,却以缓缓推进的节奏,酝酿一种内心的愁思,是维姆·文德斯再一次对城市的书写。
“Millennium Love’s Tale of Genji” Once known as the world’s first full-length novel “Tale of Genji” probably can be seen as a Japanese version of “Dream of Red Mansions” to the Japanese aristocracy Light’s story as the core, brought out many or because of the occasional Feelings of love, or the edge of the world, with the relationship between the ambiguous women. As a tribute to the 50th anniversary of Toei ’s company, Director Hirokawa Fortunately, “The Tale of Genji,” onto the screen. The film cost 1.4 billion yen, the crew focus on clothing and venue set, in the details of the reproduction of the luxurious life of peace. Photography uses a new HD24 machine and computer CG graphics technology for sophisticated image processing. The luxurious lineup starring Takuya Tokihobu, Tokiwa Takako and Yoshitomo Yoshitomo is the perfect interpretation of a Don Juan love affair. “Lost Angel City” In the city of Los Angeles after “September 11”, an Arab man was shot dead. Retired veteran Paul paranoidly decided that the conspiracy against the country was behind him and decided to go it alone. His niece, Lanna, who is disgusted with the war, is also eager to find out the truth and find the family life of the deceased for comfort. Director Wim Wenders wants to describe the pain and alarm of the victims in the post-9/11 era from a European point of view. What worries him, however, is the hysteria behind the pain and horror that American society has shown and the value of non-confusion. Produced by a digital video camera, this little production film, without ambitious scenes, brews an inner worry at a slowly advancing pace and is Wim Wenders once again writing about the city.