“5.12”地震诗潮是文学史上少见的诗歌现象,它的出现不但使诗坛再度活跃,而且开阔了诗歌新的意象天地;从创作者的身份、传播方式以及创作方式来审视,地震诗歌都具有一种“草根性”;这种集体创作与集体式的抒情,更是继二十世纪以来诗歌精神的皈依与再度高扬。 “5.12 ” is a rare phenomenon of poetry in literary history. Its emergence not only rejuvenated the poetry but also opened up a new image world of poetry. From the perspective of creator’s identity, mode of transmission and creation, the earthquake poetry All have a kind of “grassroots nature.” This kind of collective creation and collective lyricism is the conversion and revamping of the poetry spirit since the twentieth century.