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九十年代的文坛好戏仿佛刚刚开场,顷刻就到了落幕的时刻。回忆起来,八十年代好象特别漫长而九十年代却令人感到稍纵即逝。这种“快逝”的感觉大概是文坛没有什么太大的事情造成的。平常的日子令人觉得漫长,也会令人觉得消逝得特别快。八十年代形成的一代文坛大将,历史正在淘洗他们,而九十年代又没有那种气候使文学成为独领风骚的行业。这种平和的、沉寂的、话题不多的日子正好是反思的日子、酝酿的日子。孟繁华的文章就是静下来反思的成果。不言而喻,造成文学创作与批评目前处境的原因是需要作深层次探讨的。而展望发展的各种可能,又需要理性的支撑。在这方面,章亚昕的文章又不无启示。
The nineties of the literary scene as if it had just begun, the moment arrived at the curtain. Recall that the eighties seemed particularly prolonged and the nineties were fleeting. This “fast passing” feeling is probably nothing in the literary world caused by too much. The usual days feel long, it will make people feel particularly fast disappear. A generation of literary stars formed in the 1980s, history is panning them, and the nineties there is no climate to make literature the dominant profession. This peaceful, quiet day with few topics is just the days of reflection and the brewing day. Meng’s article is the result of calm down reflection. It goes without saying that the reasons for the present situation of literary creation and criticism need to be discussed in depth. However, the various possibilities of development and development require rational support. In this regard, Zhang Ya Xin’s articles without apocalypse.