性别的身体特征如果说,当代女性艺术的性别特征是从生理的愉悦到世俗愉悦的完型,并非是夸大其辞。其实,我们一直不想看到但最终看到的是女性艺术家重感性,追求回归生理本能快感的愉悦;轻理性,回避批判现实的文化自觉。将自己禁锢在女性私密的文化空间,远离主流的共公文化空间。特别是“85”以来,女性艺术的话语权一直在强势的男性艺术的话语权下惨淡经营,制造出一幅幅都市现代女性生存的绣像。当代女性艺术的性别意识,脱离不了让自己成为男性眼中尤物的符号,走不出闺房的自恋情结让自己在一遍又一遍的挠首弄姿中顾影自怜,成为男性性幻想的猎物。夏俊娜作品中的女性精神活动场所的闺房化,为现代仕女叙述程式平添了一层浓厚的小资情调。虽然逆光处理之后的人物迷朦而优雅, Physical Features of Sex If we say that the gender characteristics of contemporary female art are not exaggerated from the physical pleasures to the perfection of worldly pleasures, In fact, what we did not want to see but what we finally saw was the femininity of the female artist, the pleasure of returning to the pleasure of physiological instincts, the rationalization of lightness, and the cultural awareness of criticizing the reality. Imprisoned in the private cultural space of women, away from the mainstream of the public cultural space. Especially since the “85”, the power of the female art has been dismally managed under the strong discourse of male art to create an embroidered image of the modern urban women living. The gender consciousness of contemporary female art can not be separated from being the symbol of the stunned creature in the eyes of the male. It can not walk out of the narcissistic complex of the boudoir and make itself become the prey of the male sexual fantasies. The harem of female spiritual activities in Xia Junna's works adds a layer of rich petty bourgeoisie to modern ladies' narration programs. Although the character after the backlight treatment is confused and elegant,