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对于审美经验的探讨是现代美学的一大转向。在美学史上一直存在着对审美经验的不同认识。其最大分歧在于:审美经验究竟是一种主观的经验还是客观的经验。主观派强调审美经验源于审美主体对审美客体有距离的静观,从而得到一种超越性的审美感受,可以看作是分离式的审美经验。客观派强调审美经验源于审美主体积极参与到审美对象中所获得的感受,可以看作是介入式的审美经验。这两种经验理论相互矛盾却又相互补充,为我们对于审美经验的研究带来了新的思考。
The discussion of aesthetic experience is a major shift in modern aesthetics. There is always a different understanding of aesthetic experience in the history of aesthetics. The biggest difference is that: aesthetic experience is a subjective experience or objective experience. Subjectivists emphasize that aesthetic experience originates from the contemplation of aesthetic subjects on the distance to aesthetic objects, so as to obtain a transcendental aesthetic feeling, which can be regarded as a separate aesthetic experience. The objective school emphasizes that aesthetic experience originates from the experience that the aesthetic subject actively participates in the aesthetic object and can be regarded as an interventional aesthetic experience. These two kinds of empirical theories contradict each other and supplement each other, which brings us new thinking for the study of aesthetic experience.