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在徐唯辛那里,所有与油画创作相关的手段都成了打捞历史湮灭记忆的工具,在它们的协助下,历史来到了“现场”。
In Xu Weixing there, all the means related to the creation of oil paintings have become a tool to retrieve historical annihilation memories. With their assistance, history has come to the “scene”.