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赛珍珠书写中国形象和人性的小说曾在中国左翼作家和美国友人斯诺先生那里遭受过冷落,但我们无权要求她必须是一个革命的阶级论者,更无权要求她不是一个坚持基督教的人道主义者．她的小说《母亲》、《纳妾》尤其是《大地》,游刃有余地描写了中国上层和下层的社会生活,对穷人富有强烈的同情心。她写的中国故事,暗含了美国传统崇尚简朴勤劳的道德观,不仅使她的西方读者感悟到中国的“人性”,而且改变了自十九世纪以来西方流行的反面的中国形象视角,她的《东风·西风》则是从中西文化比较的视角去观察中美两国社会,在书写中西文化的矛盾和冲撞的同时,表达了对中西文化结合具有无限生命力的美好愿望。
Pearl Buck’s writing of China’s image and humanity has been neglected by the Chinese left-wing writer and American friend Snow. However, we have no right to ask her to be a revolutionary classor and have no right to ask her not to insist on being Christian Humanist. Her novels, “Mother”, “Concubine” and especially “The Earth,” have painstakingly portrayed the social life in China’s upper and lower strata and have strong sympathy for the poor. Her Chinese story implies a moral tradition of simple and industrious American tradition, which not only made her Western readers feel China’s “humanity,” but also changed the negative image of China from the West in the nineteenth century. Her While observing the contradictions and conflicts between Chinese and western cultures from the perspective of the comparison of Chinese and Western cultures, the “East Wind and West Wind” expresses the good wishes of combining the Chinese and Western cultures with boundless vitality.